New Lorina Bulwer Acquisition

A remarkable embroidered letter created by Great Yarmouth resident Lorina Bulwer over a hundred years ago has turned up in the attic of a house in County Durham.  This extraordinary artefact has been purchased by Norfolk Museums Service through a generous grant from the Costume and Textile Association.  The sampler will go on display straight away for the final four weeks of the Frayed exhibition at Time and Tide Museum, Great Yarmouth.

New Lorina

The embroidered panels, the longest measuring over 2 metres in length, were left in the attic by previous occupants of the house and were a complete surprise to the new residents when they came out of their plastic wrappings.  The finder immediately put Lorina’s name into an internet search provider and was directed to the blog for the current Frayed: Textiles on the Edge exhibition which features two similar pieces by Lorina, created in the late 19th / early 20th century when she was resident in the lunatic ward of the Great Yarmouth workhouse.

Costume and Textiles Curator, Ruth Battersby-Tooke, takes up the story: “It’s the stuff of a curator’s dream! We always felt that there must be more of Lorina’s embroidered letters out there somewhere.  It is so clear that she found the process of stitching her thoughts therapeutic that she would have made many more in the 15 or so years that she spent in the Great Yarmouth Workhouse. We were ecstatic about the discovery and delighted that the finder wanted the two pieces to come into the collections of Norfolk Museums Service. Fortunately the Costume and Textile Association were extremely keen to give a grant to cover the costs of acquiring the pieces for the collection and we’re very grateful for their generous and prompt support.”

Joy Evitt, Chair of the Costume and Textile Association, adds “We are absolutely thrilled to be able to purchase this object for the museum. We can’t wait to see the samplers all together – they are amazing. This is a lovely way to celebrate the contributions the Costume and Textile Association have made to NMS over the past 25 years. Almost £100k has been raised for the improvement of the storage for collections and for new acquisitions.”

The Lorina Bulwer samplers are certainly one of the more unusual pieces in the Norwich Museum collections. Made over a century ago, these textile samplers take the form of very long, and often confusing, rants. With no punctuation, and entirely in upper case, each word is virtually spat out, and the angry tone is relentless throughout. Every word has been hand-stitched onto a patchwork of fabrics and provides a unique glimpse into the life of their maker.

Image 2

Born in 1838, Lorina never married and helped run a boarding house in Yarmouth until her mother died in 1893. It was probably shortly after this that she found herself one of over 500 residents in Yarmouth workhouse.  Here’s a flavour of the tone of her ‘letters’ which comes from the end of the first sampler to enter the NMS collections, in 2004: “THE PEOPLE ARE REAL ENGLISH TRAMPS HAWKERS SHOW PEOPLE ENGLISH NOT ONE BELONG TO ANY OF MY CLASS NOT ONE HERE HAVE ANYTHING TO DO WITH MY PARTY…”.

Lorina’s work has been a source of great fascination for some time, with its sense of a woman from the past speaking directly to us.  Many individuals, from historians to psychologists, and textile students to writers, have visited, studied or enquired about Lorina and her embroideries.  Lorina and her embroideries have been included in PhDs, a novel and mentioned on Radio 4. Most recently the original sampler from the collections was featured by the Antiques Roadshow on their trip to the Sainsbury Centre for Visual Arts in 2013, broadcast on 12 January 2014:

NMS Adult Learning Officer, Ruth Burwood, was interviewed by Paul Atterbury who was enthralled by the story of Lorina and the creation of this amazing object.

In a separate development, and as a direct result of the exposure on Antiques Roadshow, a number of ledgers from the Great Yarmouth workhouse have also come to light.  It was previously thought that no documentation from the workhouse survived from this period due to a fire, so this is a very exciting discovery in itself.  The ledgers are from a slightly earlier period than Lorina and so don’t mention her by name, but they do mention some of the people who appear in her samplers, including a number of doctors.  They also provide a fascinating insight into daily life at the workhouse, such as details of diagnoses of patients in the lunatic ward and what inmates were allowed to wear.  The ledgers have been generously donated to Great Yarmouth museums and while they are not currently on display, they can be viewed on request.

It’s wonderful that, in classic Antiques Roadshow fashion, new work by this remarkable woman has come to light, along with documentation that will provide an important context for her life, as well as an insight into an important institution in the town.  With the addition of these new items to the collections we are gradually fitting more pieces of the puzzle together and making fresh discoveries about the family history that shed new light on this extraordinary survival.

The new pieces have just arrived and are being installed into the Frayed exhibition where the public will be able to see them from Saturday 8 February. Frayed runs until 2 March 2014 so there’s just under a month to see these remarkable artefacts side by side.

New Lorina with Steve Miller





Jane Whiteley – Guest Post from a Frayed Artist

Jane Whiteley’s work says she is a lady writer (2010, worn cotton sheet, machine and hand stitch) is currently on show in Frayed.

Growing up with mental illness as experienced by both my aunt and her sister- my mother- my own childhood access to cloth gave me a vehicle for expression, insight and giving shape to my experience.  Last October, my friend Emily Kate Mignacca undertook ZIP IT, a sponsored 24 hours of silence where people donated their voice to raise awareness of mental health issues in Australia.  It took place on World Mental Health Day.  She described this experience, how by the end of the day there was a ‘banking up’ of her thoughts in her head, with no outlet for their expression.  Being trapped inside your mind can be a terrifying and isolating experience.  I am reminded of my beloved Auntie Marj.  In the 1960s she was diagnosed as having schizophrenia, as it was then called.  As a young child I remember seeing her looking terror-stricken on several occasions, but when I think of Auntie I think of her shiny brown eyes, her red dress at Christmas, sparkly jewelry, lipstick and talc, powder compact, and boiled sweets, jam doughnuts and pink bunrounds, stockings and handbags, permed hair and rollers, reading and knitting, singing and swearing, throwing her head back as she laughed, her flowery frocks in summer and the three pretty pills she used to take every morning at breakfast- one pink, one yellow and one blue.  Clearly there was a lot going on inside her head that was not immediately apparent, but as a child I just saw ‘Auntie’.


Talk on Friday 7 February

On Friday 7 February, Costume and Textile Curator Ruth Battersby Tooke will be discussing the Brereton Bed hangings in her talk ‘Tears were her Meat Day and Night’.

Due to popular demand the talk will be held twice:

The advertised session at 11:30 is already FULLY BOOKED.

A second session at 12:30 still has places available at the moment.  Places must be booked in advance – please call 01493 743930 option 2 for details.

Letters from the Workhouse

Gressenhall Victorian Room

Regular visitors to Gressenhall may recognise this room as the Victorian Room in the Workhouse Corridor.  But it’s looking a lot emptier than usual!  This is in preparation for two very special objects which will be making their way from the Frayed exhibition in Great Yarmouth to Gressenhall Farm and Workhouse for the Letters from the Workhouse exhibition.

We are delighted that these very special objects will be displayed in a workhouse setting.
Come and explore these wonderful samplers and experience the environment where Lorina stitched.
The Letters from the Workhouse exhibition will be open at Gressenhall from 9th March to the 2nd June 2014.
twitter @gressenhallfw #WorkhouseLetters

Stitch Like Lorina – Extra Dates

Due to popular demand we’ve added two new dates for our Stitch Like Lorina workshops.

The sessions will run on Thursday 6 February and Thursday 27 February, 1 – 3.30pm at Time and Tide.

The cost is £8.50 (or £7 if you’re a Museum Pass Holder) and includes all materials.

If you’d like to join Lisa Little for one of these sessions, please telephone our bookings line to secure your place:  01493 743943.

Lorina on TV

In case you missed it, the Norfolk Museums Lorina Bulwer embroidered letter was featured in yesterday’s Antiques Roadshow.

You can catch it on BBC’s iPlayer for the next week:

Frayed in Print – The Quilter

An article by Carolyn Ferguson about the Brereton bed hangings and the Frayed exhibition is featured in the Winter 2013 issue of The Quilter. 

The Quilter is the membership magazine of The Quilters’ Guild of the British Isles:

For a preview, click here:  The Quilter